01 Mar Spring Dreams: Deconstructing the Female Form
A Collaboration between Karolina Skorek and Dagmara Giej-Rusnak
I have always been interested in exploring the complexities of the female form, and through my work, I have sought to deconstruct and reimagine it in new and exciting ways.
I have collaborated with curator and philosopher Dagmara Giej-Rusnak to explore the symbolism of hiding behind hair and the idea of spring as a time of renewal and rebirth. We explored the use of fresh flowers and sheer fabric with threads hanging to further symbolize the fluidity and transience of the female form.
Drawing inspiration from the philosophy and art history we deconstructed the female form and created a series of artworks that explore the different aspects of femininity. Through our collaboration, we explored the concept of the hidden, the unknown, and the subconscious, using hair as a symbol of these hidden elements.
Dagmara’s expertise in philosophy and art history brought a new dimension to the project, as we delved into the symbolism of the female form and its representation in art throughout history. Through our discussions, we were able to draw connections between different cultures and time periods, exploring the ways in which the female form has been used to convey various messages and meanings.
I used fresh flowers, sheer fabric with threads hanging, and other materials to create a sense of delicacy and fragility in the artworks. The threads hanging from the fabric symbolize the idea of vulnerability and the fragility of life.
The use of sheer fabric and threads also adds a painterly quality to the artworks. The fabric functions as a canvas on which I can create a painting using threads as my brushstrokes. This technique allows me to explore the relationship between traditional and contemporary media and to create works that are both painterly and sculptural.
The Baroque period has always been a significant source of inspiration in my work. The drama, richness, and intensity of the era’s art and architecture inspire me to create pieces that are both bold and intricate. The use of light and shadow, the opulence of materials, and the overall grandeur of the Baroque aesthetic are elements that I love to incorporate into my work.
I have always been drawn to the Baroque’s focus on the emotional and the theatrical, and I strive to infuse these qualities into my pieces. I use techniques such as chiaroscuro, the strong contrasts between light and dark, to create a sense of depth and drama. I also play with layering and texture to achieve an opulent, ornamental effect.
In my more recent work, I have been experimenting with combining Baroque elements with contemporary styles and techniques, such as digital media and installations. This juxtaposition creates a dialogue between the past and the present, and allows me to explore new ways of expressing the Baroque aesthetic.
One of the central themes of this project is the deconstruction of the female form. I wanted to challenge traditional notions of beauty and femininity by creating artworks that break down the female form into its constituent parts. By doing so, I hope to encourage viewers to question their preconceived ideas about the female body and to see it in a new light.
The deconstruction of the female form is also related to the artistic movement of Formism, which originated in Poland in the early 20th century. Formism was characterized by the use of simplified forms, strong colors, and bold outlines, and it aimed to create art that was both modern and accessible to the public. My work is a contemporary interpretation of this movement, and it aims to capture the essence of Formism while bringing it into the present day.
The use of sheer fabric and threads also adds a painterly quality to the artworks. The fabric functions as a canvas on which I can create a painting using threads as my brushstrokes. This technique allows me to explore the relationship between traditional and contemporary media and to create works that are both painterly and sculptural.
Through my collaboration with Dagmara Giej-Rusnak, I was able to bring a philosophical dimension to this project.
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